Memory Pods: Dodho feature, June 2025 Honored with a feature on Dodho for my Memory Pods series yesterday; a project that I had initiated over ten years ago when I was contemplating how I could metaphorically relate memory loss due to Alzheimer's Disease with the flowering phases of an Aloe Vera plant. To be honest,... Continue Reading →
Seascape cyanotype featured on YourDailyPhotograph
Blue Horizon (Number 193104) copyright 2024 Douglas Stockdale – I was honored to have my seascape cyanotype Blue Horizon featured this past week on YourDailyPhotograph.com, which is a 11 x 14" image I printed on a 16 x 20" sheet of Bergger Cot 320. I have photographed this stretch of the San Clemente oceanscape on numerous occasions,... Continue Reading →
Exhibiting Artist
Entanglement, number 1766-4, copyright 2024 Douglas Stockdale - Towards the end of last year, I was trading emails with another alt-photo artist about my Photolucida Critical Mass 2023 and 2024 Finalist recognition. She had mentioned that she had four Critical Mass Finalist awards, while nothing higher (e.g. Top 50) seemed to occur for her, thus... Continue Reading →
Nude adorned with Mistletoe
2025 Copyright Douglas Stockdale - I have always been fascinated by the form and shape of trees in the winter after they shed their leaves, leaving bear the underlying structure. For many years I have also thought that this might make a nice portfolio series, while my photographs might not be all that unique, as... Continue Reading →
Frisket – keeping some paper whites in my monotypes
Urban Ashes (number 0175), Airport Fire, September 2024 copyright 2025 Douglas Stockdale - When I started to print my multi-media monotypes, I soon realized that one visual aspect was missing for me; whites and highlights, especially somewhere in the midst of a field of color. So I had a couple of options; use some white... Continue Reading →
Urban Ashes – multi-media monotypes featured in The Hand magazine #47
Urban Ashes, multi-media monotypes, copyright 2024 Douglas Stockdale - Wow, for the second consecutive issue of The Hand magazine, I have a full page feature of my artwork submissions. Last issue #46 featured my cyanotypes I made from photographs from my assignment in China in 2008, while for issue #47 (above), a bit different subject... Continue Reading →
Fragmented Realities: our exhibit at OC Camera Gallery
I am very honored to have the opportunity to co-exhibit with Paul Anderson at the OC Camera Gallery this coming March. Artist statement: Fragmented Realities is an exhibition of two complementary bodies of art by Paul Anderson and myself that investigates the contemporary urban landscape. Both are very divergent in their respective methodologies, pairing the... Continue Reading →
Polymer Photogravure
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – Over the holidays, I did some experimentation with polymer photogravure plate making and printing as a potential alternative process for my Urban Ashes project. Nevertheless, the first image I printed as a photogravure was from my Entanglement series, above, as my intaglio print coach recommended using an image that was... Continue Reading →
China cyanotypes featured in The Hand magazine
China cyanotype series, copyright 2008/2024 Douglas Stockdale I am really honored that Issue #46 of The Hand magazine (Fall 2024) provided me with a full page feature of my China cyanotype series. My cyanotypes had been featured twice before in The Hand, while either singular images or as a pair. So a full page feature... Continue Reading →
2024 Holiday artwork framed for a collector
2024 Season’s Greetings (Mammoth Mountain, CA) copyright 2024 Douglas Stockdale – I recently framed my 2024 Holiday card artwork for my favorite family collector, which is starting to become one of my favorite holiday traditions. The base photographic image was created during a ski trip to Mammoth Mountain, located in the Sierra's of Central California, at the... Continue Reading →