Santa Fe Nicho, copyright 2023 Douglas Stockdale - I am honored that my cyanotype print titled Santa Fe Nicho was selected by guest juror, Diana Bloomfield (Raleigh, NC) for Light Art Space (Silver City, NM) gallery exhibition The Still(ed) Life: Celebrating Handmade Photographic Art, which is featuring Alternative Photographic Processes. I am equally excited that this is my... Continue Reading →
Camouflage 2 – Entanglement series
Camouflage #2, (Entanglement series) 2023 copyright Douglas Stockdale - Cyanotype print from digital negative, the second titled Camouflage from this same series. Photographed this site last month with a 50mm Distagon on my Hasselblad using expired Ektar 100 (2019) 120 film on a decommissioned WWII/Korean War practice Bombing Range in Southern California. As a note, I... Continue Reading →
Vote for democracy
Vote for democracy, copyright Douglas Stockdale 2023 Experimenting with cyanotype 'word' art. Unsure where this series of artwork might lead to as a means to provide food for thought. I am very concerned with the attempts to limit voting rights and the various attacks on democracy. Cyanotype print, Vote for democracy, copyright 2023, image is 9... Continue Reading →
(Dis)information – Juneteenth
Remnant (Entanglement series) 2023 copyright Douglas Stockdale – I am publishing this on the occasion of Juneteenth, a relatively new government holiday in the United States, but celebrated by African Americans for many years. "It commemorates the emancipation of enslaved African Americans following the Civil War. Deriving its name from combining June and nineteenth, it is... Continue Reading →
Complications – Entanglement series
Complication (Entanglement series) 2023 copyright Douglas Stockdale - I am taking a slight pause for a mid-year reassessment of where I am and where I am going. Not about making drastic new directions but just determining if a slight tweak in my plans going forward are warranted. I was doing a quick vin diagram of... Continue Reading →
(s)Light of Hand 2023 – An Alternative Photography Exhibition
Wo Zhi Kan Kan (JiaShan, China) 2008/2023 Copyright Douglas Stockdale - I am very honored that my cyanotype print titled “Wo Zhi Kan Kan” (Mandarin for "I Am Just Looking") was selected by guest juror, Ann Jastrab (Executive Director/Curator of the Center for Photographic Art, in Carmel, CA) for The Photographer's Eye (Escondido, CA) (s)Light of Hand... Continue Reading →
UV Lightbox for Cyanotype printing
LED UV Lightbox, 2023 Douglas Stockdale - For the past nine months I was committed to use solar printing for my cyanotypes...which was okay until it wasn't. I have been sitting on my hands for almost all of May due to clouds (affectionally known as May-Gray here in Southern California), and already sensing the pending... Continue Reading →
California Sycamore, Spring – solar cyanotype
California Sycamore, Spring (#2224) 2023 copyright Douglas Stockdale - The first time I wrote about this California Sycamore, above, using the original digital photograph, I had cropped it tighter to create an 8 x 10" image on the 11 x 14" cotton rag. That image of this composition was also posted as a digital black &... Continue Reading →
Still looking for Mr. Dmax for my Solar Cyanotype prints
31 step wedge & Nextav 3A photo copyright Douglas Stockdale - Last December I had written an article about using a Zone system gray card to determine my solar cyanotype exposure times as a means to obtain the Dmax (Maximum Darkness, e.g. blackest tonalities) for my solar cyanotype printing process. I have actually moved on... Continue Reading →
Expired film – embracing unexpected outcomes
Untitled (Gardening For Ordnance series) 2023 copyright Douglas Stockdale - A couple of days ago, I wrote an article about the need to embrace unexpected outcomes when solar printing cyanotype prints. So imagine my surprise when last night I obtained the film scan results from a lens test while using some of last reserves of... Continue Reading →