Terry, Indiana Route 30 (In Passing: Lest I Forget #2108) solar cyanotype + Prismacolor pencil, copyright 2007/2023 Douglas Stockdale – This is the fourth of five of my In Passing: Lest I Forget series that I have printed as a cyanotype and subsequently hand-colored with Prismacolor pencils. At the moment, my immediate goal for my cyanotypes is to... Continue Reading →
Keeping Art rejections in perspective
Abandoned, NV Route 157 (Roadside Remembrance #1937), solar Cyanotype + Prismacolor, copyright 2012 Douglas Stockdale – Perhaps as many artist and photographers do, I will enter calls for art, aka juried art exhibitions, to see if I can obtain some additional interest in my artwork. Most recently, I have been started to submit my recent cyanotype prints... Continue Reading →
IG @beach.lifestyle.art
Surf-Rider II, Cyanotype, copyright 2012 Douglas Stockdale – Yesterday I wrote that I had worked all of the bugs out of my solar cyanotype printing process and that might ALMOST be the whole truth. That solar cyanotype that I featured was very much on the darker side, a ton of stuff going on in the shadows. After... Continue Reading →
My Cyanotype printing process confirmed
Insomnia, Cyanotype, copyright 2012 Douglas Stockdale – Yesterday as I stated in my post, I printed a cyanotype, above, that confirms that I have my solar cyanotype printing process in a predictable amount of control. I liken this to my earlier zone system work when I was trying to have a film exposure-development combination that allowed me... Continue Reading →
Cyanotype + Prismacolor Pencils
Sea Palm I, Prismacolor over cyanotype, copyright 2023 Douglas Stockdale - At the moment, I am waiting for the results of today's solar cyanotype printing to dry-down, as I find the final results for a cyanotype print are not fully revealed until the following day. Something about that dry-down process. This is going to be... Continue Reading →
Rethinking the number in a print edition or series – downward
Sea Palm I, #1 in a series of 5 (solar Cyanotype), copyright 2022 Douglas Stockdale - As I started down the road of cyanotype printing, I have concurrently been reading a lot of articles related to the number of prints an artist might want to consider for a limited edition of that artwork. This print... Continue Reading →
Wo Zhi KanKan – I am Just Looking
Wo Zhi KanKan (I am Just Looking) (JiaShan, China) Copyright 2023 Douglas Stockdale - Another morning in which I woke up with a list of plans and just like Charlie Brown, I wonder off and find myself working on sometime different. I just can't seem to stay on the reservation. That darn creative muse, eh?... Continue Reading →
Einstein’s Magic Glasses
Copyright Douglas Stockdale - Another series I am planning to continue working on in 2023 is a derivative of my Quantum Elements body of work that I started due to the isolation issues of the COVID-19 when I was in self-quarantine in 2020. As a result of a happy accident, I became intrigued to start... Continue Reading →
Digital faux Cyanotypes – playing what-if
Image copyright 2012/2022 Douglas Stockdale - While I continue to tweak my cyanotype printing process concurrent with the overcast and rainy days we are having now in Southern California for the coming week (non-solar printing conditions!), I have time to consider how I want to proceed. Although a digital faux cyanotype is not meant to... Continue Reading →
Contact printing – Solar intensity evaluations
I am still plagued by being a science-nerd which is kinda of cool when my sense of curiosity overlaps my artistic instincts. Something that I have yet to read about regarding alternative photography processes involving contact printing using solar power to create the artwork (e.g. cyanotypes) is how to evaluate one's solar light intensity? Here... Continue Reading →