Singular Images

January 8, 2019

Curator – Water & Ice exhibition

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untitled, (Trabuco Flats), 2018 copyright Douglas Stockdale

I just curated an on-line exhibition, “Water & Ice“, for the Photographers Exchange, a group of photographers who meet monthly at the Irvine Fine Arts Center, Irvine, California. I strived to have a broad and interesting mix of contemporary and modern images for this rather broad genre of photography. As I stated in the exhibition introduction; water is one of the classic subjects for creating metaphors, i.e. as one of the basics for life.

While making preparations to promote this on-line exhibition, it occurred to me that I have just curated the fourth in this series of exhibitions for this group, the others being ConnectionsSurvey of Contemporary Landscape and Fall Season, with the earlier three on-line exhibitions in 2018. I am planning continue curating these exhibitions thru 2019 and potentially beyond.

I guess this is helping to establish me as independent curator! Okay, a capability that I have backed into and I had not been working on by design. My first curatorial project was in 2012 for FotoGrafia Festival Internazionale di Roma, which in retrospect was a pretty interesting curatorial start as this is an International known photographic event in Italy. Nevertheless, I have not really pursued these curatorial opportunities and in retrospect, these curatorial projects are similar in process for the book judging I did for Photo Independent and the related books talks during the Photo Independent events. Which I suspect led to my 2017 guest curator spot for LA Photo Curator, creating another on-line exhibition based on my theme.

I think looking back that working on the LA Photo Curator project really laid the ground work for this series that Gerry Clausing and I are curating with the Photographers Exchange (we take turns curating every other exhibit). It is a similar in process to editing a photobook; you have a large amount of work that needs to be reduced to create a meaningful and interesting show. In my case I also want to ensure that the exhibition theme is broadly investigated and the work is diverse in how artists/photographers explore the subject. A challenge in its own right.

For the Photographic Exchange exhibitions I have also been granted the option to include my own work in what I curate (I am also a member of the Photographers Exchange), which in my case I think about what might be missing or could make the exhibit more diverse and then find something that could help fill in a potential visual gap.

So for this exhibition I selected the photograph above, an image that contained very small elements of transitional water (dew) that is present for a short time in the morning. Later in the morning with the rising sun, the dew will soon be gone and the spider’s web will be fully functional, perhaps in time to catch lunch. Perhaps there are some abstract visual qualities to this composition that I wanted to investigate as well.

Cheers,

Doug

January 7, 2019

Memory Pod exhibit sold-out; great start for 2018

Filed under: Art, Memory pods, Photography, Projects/Series — Tags: , , , , — Douglas Stockdale @ 7:00 am

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Untitled (Memory Pods) copyright 2015 Douglas Stockdale

A little more validation that my Memory Pods project is the one that I need to focus on in 2019; earlier this week when I went to my L.A. gallery (Fabrik Projects) to pick up the remaining photograph from the Holiday exhibit I was told that the last photograph had been sold earlier in the day. Wow! Apparently someone arrived while the exhibit was being taken down and they still wanted to walk the remaining exhibition. They were smitten by and purchased my last remaining photograph. Very, very nice.

My first ever sold-out exhibition!

This is a very great way to start the year and a strong validation of the Memory Pods project. As I posted earlier, I will continue to further develop this project in 2019. Appears that the gallery director really liked this body of work and perhaps I my have another solo exhibition in the works.

Over the holidays I had started to re-examine this project, such as the redevelopment of the currently untitled image in this post, above. I had photographed this still life composition in 2015 and the image had continued to hold my interest. Until recently I was unsure of how I wanted the final image to appear. Over the recent holidays I started to work on it again trying to place further emphasize on the fading and decomposing qualities of memories (memory pods) as an abstract process. I think that this is a stronger version of this photograph and more in line with my pre-visialization.

I also added a black edge border to the photograph as part of defining the limits of the image as one might think of a using a matte to outline a framed photograph. Another visual aspect to consider (yes, I also have a version of this that does not have the black border). So far, so good.

Cheers,

Doug

January 1, 2019

Holiday working on my website – Middle Ground

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Alternative Crossing (Middle Ground) copyright 2017 Douglas Stockdale

This Holiday weekend I found myself working on an unexpected task; while making my end of the year posts, I wanted to link-up my various projects on my web-site. Except when I went to link up my recent artist-book project Middle Ground, this project was not on my web-site. What!!. Then it dawned on me, I was wondering what was missing when I made the recent SquareSpace transfer for my web site’s back-bone; now I know; I had not included the transfer of Middle Ground project.

I guess what I might call a Freudian-slip; spending so much time with this project recently I must have been on a bit of over-load and forgot it, OR a bit disappointed with how this book and project did not resonate as a social protest project against the Trumpian-fourth-century-barrier along the US-Mexico border (yes, think how effective the Great Wall of China was for the Chinese. Hint: it wasn’t).

So the fix is in and I now have the Middle Ground project up on my web-site; here. This will of course help a tad bit with some of my gallery and exhibition submissions that I am planning for this year ;- )

Cheers & Happy New Year!

Doug

December 31, 2018

Best wishes for a Creative New Year in 2019!

Filed under: Art, Memory pods, Middle Ground, Projects/Series, Trabuco Flats Mystery — Tags: , , — Douglas Stockdale @ 12:45 am

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Untitled (Memory Pods) 2014 copyright Douglas Stockdale

In my last post I recounted my accomplishments for 2018, which is the first half of my end-of-the-year two-part series, while today’s post is the second part that is more about looking ahead at 2019. At the end of 2017 I did not announce very many stated goals for 2018; essentially I wanted to self-publish my artist book Middle Ground. That appeared daunting enough and I really wanted to focus on that publishing task to make it a reality.

So a few goals for 2019; one part is developing deeper relationships with my friends while looking forward to new connections; one part is moving at least two of my long term projects forward and third part is making some infrastructure investments that support my creative processes.

I realize it is very easy to get wrapped-up working on projects in the studio so I need to work on getting out a bit more often in conjunction with doing a better job of staying in touch with all of my friends, family and new acquaintances. A friend of mine reserves at least a couple of hours each Friday as a stay-in-touch day; of course this was started a bit before the advent of social media. So I am going to try to do that each Friday; phone calls and maybe emails and Facebook, Twitter or LinkedIn do not count. I am also going to expand my Friday task list to work on increasing my collection of gallery rejection letters; like the lottery, if you don’t play, you can’t win. So I need to make regular submissions and more networking for my various projects.

Last year I think one of my un-stated goals was after self-publishing Middle Ground to start working on the publication of my next book; either my project Gardening for Ordnance or maybe Memory Pods. I had this grand idea of finishing a book each year, only because books were something I could work on in the background while doing my day-job. The recent gallery representation and selling my art-work at Fabrik Projects this year has turned that idea upside down. I can now anticipate getting my projects exhibited and obtain more feedback while developing these projects into a book; I think the publication will happen, but may just take a little bit longer to develop. Which is a good thing.

The continued interest in Memory Pods is bringing this project to the forefront going into 2019, such as the revised image above with this post. One thing I would like to experiment with this year to support this investigation is acquiring a short extension tube, probably 21mm to start, for use with the 120mm Makro for the Hasselblad. I think that the Memory Pods project is one I will be basing a lot of my gallery submissions on this next year. After four years, I think I have a nice body of work for this project, and I will be adding more to it this year. Kind of struggling with the publication pre-visualization of this project for a while now, but perhaps I might make progress on this as well this next year.

I have the introduction of my Trabuco Flats project pretty much worked out and much of the body of this project but unsure of how to close the project. I also have the book concept developed and a local printer who thinks that they can print and bind this book as I have intended. One thing I think I need for this project and hope to acquire early next year is a moderate wide angle lens, probably a 50mm CF f/4, for the Hassleblad to use conjunction with my stash of very expired film. So I will continue developing Trabuco Flats in 2019 as well. Appears that this project is taking precedence over Gardening for Ordnance for a while, although these two projects overlap a bit, so working on one can support the other.

The other investment I need to make is going to be a new larger printer since my 14 year old Epson 4800 printer is working only about 75% of the time (which is to say that one out of every four prints does not print well, with the trailing edge of the image banding). I have my eye on a 24″ wide Canon, but I will need to move a lot of things around in my tiny studio space to make this happen. A 44″ wide printer will just not fit, so I will defer to my friend Mark to create the 40″ x 50″ prints when I need these. Hopefully I will need Mark’s printing support more often this next year ;- D

So I want to close this year with a big Thanks to you all for reading what I irregularly post here from time to time, your comments and feedback and wish you all a very creative New Year. I know that I am going to do my best!

Cheers!

Doug

December 28, 2018

2018 End of year wrap-up

Filed under: Art, Memory pods, Middle Ground, Photography, Projects/Series, Trabuco Flats Mystery, Workshops — Douglas Stockdale @ 9:56 pm

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Loss (Memory Pods) 2016 copyright Douglas Stockdale

It’s the end of another year, so time to celebrate new friends, closer relationships, accomplishments and good times. So today I am looking back and in the next day or so, I will be looking ahead as to what I would like to accomplish for 2019.

The life of an artist also has its ups and downs, sometimes success and sometimes not. Earlier this year I wrote about dealing with stress, which for many folks goes well beyond being an artist, so worth reposting the link. I also find looking back at all of the year’s accomplishments to help keep things in perspective; life is best lived one day at a time and that living is a process of putting one foot in front of the other, whether at a crawl or a sprint. Interestingly, of the many things that went well this past year, only one or two were really anticipated, while many of the others were great opportunities that materialized and I was ready to take advantage of the situation (maybe another good post for next year; be like a Boy Scout and “be prepared”).

So Chronologically, here are some of the really nice creative things that happened this year.

Middle Ground; self-published my limited edition (E of 99) artist book last spring, which I had in development for the past year and half. I also learned about the vexing intricacies of leporello (accordion) book binding. I had not anticipated that my living room was going to be a dedicated book production area for almost two months.

Solo exhibition, gallery representation and an Artsy.net featured artist for my project/artist book Middle Ground at Fabrik Projects, Los Angeles at the end of Spring.

Book designer for Christine Kaplan’s self-published photobook On My Walk that was launched at the UCLA Health’s “Back-yard Concert” & fund-raising event during the summer.

Started another new project, Trabuco Flats, while working on my Gardening for Ordnance project when I happened upon what the OC Sheriff called a “suspicious circumstance” (what they thought looked like an old sunken shallow grave). Start of a mystery investigation. So I now have three long term projects that are on-going. Yikes.

I attended a number of Los Angeles area art and photo exhibitions, book events and art fairs meeting up with old friends while making numerous new friends and acquantances. The Jasper John’s retrospective exhibition at the (Los Angeles) Broad Museum was one of the highlights of the summer.

Provided artist talks and portfolio reviews with a number of local artist organizations, including LACP, Palos Verde Art Center PADA, and during my solo exhibition at Fabrik Projects. I also inked a book design workshop with the Medium Festive (San Diego) for next March 2019 (limited space still available).

Ended the year with the Holiday Sale exhibition at Fabrik Projects and very honored to sell the two photographs (including Loss, above). I quickly framed another edition of Loss for the gallery exhibition (I can now talk about this as it was someone’s special Christmas gift) and provided a third framed photograph that was in reserve, both of which are still available for a special price until the end of this year (yes, a couple of days from now). The sale of these two photographs from my Memory Pods project has reignited the creative flames and I have been working on this over the holidays.

For my photo book review site, The PhotoBook Journal, we had some nice accomplishments as well. This is the tenth year of publishing this book review e-zine and in conjunction with the growing editorial team, we have published over 500 contemporary artist and photo book reviews. Wow.

I am sure that I have missed something, but overall, I think it was a pretty good year and now getting ready for 2019. Yes, I did purchase some photographic equipment, such as a new (used) lens for the Hasselblad, as well a bunch of new brushes for my acyclic painting (that I resumed my interest in painting might be another subject to post for next year). More about what I would like to accomplish for 2019 in another post shortly.

Cheers!

Doug

PS (update); also realized that in 2018 in conjunction with Gerhard Clausing, we started to curate a series of on-line exhibitions with the Photographers Exchange, a group of photographers who meet monthly at the Irvine Fine Arts Center, Irvine, CA. I curated three on-line exhibitions for 2018 and I will have another, “Water & Ice“, in early January 2019. We are planning to continue this series through 2019 and probably beyond.

below: cover of Middle Ground (Note: copies of this artist book edition are still available)

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December 18, 2018

Book workshop with Medium Festival – revised dates & special Discount available

Filed under: Art, Photobook, Projects/Series, Workshops — Tags: , , , , — Douglas Stockdale @ 9:35 pm

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Guide book-dummy, 2017 copyright Douglas Stockdale

First; my Developing a Creative Photo Book workshop dates for Medium have been changed to March 23 & 24th, 2017. Thus the workshop has moved to bit later, one weekend exactly, from what I had announced last month. This should still be a wonderful spring weekend to spend in San Diego having some creative and intense fun to help you move your artist book forward. You will have a chance to spend some quality time at our destination hotel for this event: Lafayette Hotel & Swim Club in San Diego.

Second, if you act fast and register before December 25th, 2018, you can obtain a 15% discount! Okay, actually you can obtain a 15% discount for any of the four 2019 workshops, including mine, being provided by the Medium Festival, which include Susan Burnstine’s “Developing the Personal Narrative”, Brandon Thobodeaux’s “Bridging Fine Art & Commercial Photography” and scott b. davis’s “Advance Platinum/Palladium Printing”. good stuff!

As a reminder about my workshop: The goal of this workshop is to discuss each photographer’s vision, mission and objectives for the publication of a photographic project and then to gain an understanding of how these conceptual aspects translate into a book object. Fundamental to the book development process is learning aspects of the editing, sequencing of the body of photographs and in the context of a book design to shape and narrate a story. The purpose of this workshop is to provide photographers with the building blocks to move from a complex unorganized mass of images into a refined edit and subsequently sequence to create a pre-visualization of their book concept.

Registration and more information can be found here.

Let me know if you have any questions, and please take advantage of this holiday discount. Just saying….

Cheers!

 

December 13, 2018

Annual Christmas card rite – 2018

Filed under: Art, Photography, Picture Postcards — Tags: , , , — Douglas Stockdale @ 9:45 pm

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Vail, Sandstone Creek, February 2018, copyright Douglas Stockdale

It is the time of year to send out the Holiday cards, which for us is a Merry Christmas (greeting) card that also includes the best wishes for the New Year. So spoiler alert, our photo this year is not the one above. Rather this photograph was cropped into a horizontal format, posted below, for the reasons I will soon reveal.

So as I posted last year and the year before as well as the year before that, we do not live where it snows, or at least not at our home. We can see it on the distant mountain tops, but Southern California near the beach is not known for its magnificent snow fall. Rain, yes, snow, no.

Thus it is my duty that when we go visit the snow for our annal ski trip, usually in Colorado, which has lots and lots of snow, I need to make the annual Christmas card photo for the following December. If I fail to find something, then I need to dig into my past ski photographs to find an alternative. Fortunately this past February the ski conditions were great and while I was out-and-about along my favorite creeks side, I created some photographs that had great potential. I will admit, these are not my project photographs, but more in line with a fun photo assignment to bring back the “Hallmark Christmas Card Photo”. Which means it should have some lyrical potential.

One troubling aspect of having heavy snow, which is really, really great for skiing, is that everything looks pretty stark and graphic: lots and lots of white with little bits of dark. So the challenge is to find a little bit of color that I can worked on later in the studio.

So while hiking up the side of the creek I spied this little leafless bush poking out of the snow which had some potential. The resulting image was made with a (normal) 50mm f/1.4 lens on my 5DMk3 in conjunction with a tripod. The exposure was with the lens pretty wide open to allow the background to go slightly out of focus, but with enough definition to know that there is a creek back there and retain some foreground snow texture. I also like that this photograph has a hint of abstract qualities; the focused graphic lines of the branches in the foreground in conjunction with the softer lines and shapes in the background.

Why the vertical versus the horizontal format?  As you might suspect; which was the photograph format that was the best fit for the card template that I wanted to use? If I wanted one of these two alternatives of this photograph for an exhibition; I would probably go with the horizontal layout. I like the open view point of the horizontal composition and the horizontal framing feels just a bit too constricting in the way some of the outside branches are turncated. Nevertheless, the horizontal photograph looks great on the printed cards (by the way, I used Dual Graphics, Brea, CA to print these cards)

At the very bottom of this post is a photograph that I had in initially in mind for the card. A close second for this year.

Merry Christmas & the very best for the New Year!

Doug

Btw, if you enjoy these photographs and you would like to purchase a print, message me as to the sizes that are available or the size you would like to acquire.

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November 29, 2018

Fabrik Projects 2018 Holiday Pop-up

Filed under: Art, Art Market, Memory pods, Photography, Projects/Series — Tags: , , — Douglas Stockdale @ 4:45 am

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Loss, Memory Pods, 2014 copyright Douglas Stockdale

I will have a couple of framed photographs on exhibit at Fabrik Projects for the month of December as part of their “2018 Holiday Pop-up”. This is a group show that will feature artwork that is reasonably priced for the holidays. My photographs are from my Memory Pod series, and Loss, above,  recently garnering an Honorable Mention at IFAC’s “All Media” exhibition.

The exhibition opening reception is this Saturday, from 6pm to 9pm at the gallery, located at 2636 South La Cienega Blvd, Los Angeles, California and the exhibition extends through the end of December.

Joining me for this group exhibition are a diverse group of artists, including Amadea Bailey, Yuri Boyko, J.T. Burke, Jessie Chaney, Martin Cox, Betsy Enzensberger, Cia Foreman, Astrid Francis & Bob Francis, Rob Grad, Sarah Hadley, Maureen Haldeman, JJ L’Heureux, Elizabeth Kitchen, Brandon Kusher, Patrick Ramsey, SameSource, Marilyn Sanders, Linda Stelling, Jane Szabo, Sharon Weiner, Glen Wexler and Nancy Wise.

Let me know if you would like more information about these photographs.

Cheers!

Doug

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November 26, 2018

Website Switch up to SquareSpace

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Trabuco Flats, copyright 2018 Douglas Stockdale

For those who might have followed the link to my website these past few days probably had a bit of a visual surprise when you were greeted with a brand new home page. So while I was taking some time to evaluate how I wanted to proceed with my Trabuco Flats project, I decided it was also time to put into play something that had been bothering me for a while with PhotoShelter, the back-bone host for my domain name.

As an artist, I have a lot of photographs and art work to share and I must admit that PhotoShelter did a great job of making me look pretty good. Since I also create artist books and other publications to sell, PhotoShelter was not so hot. In fact they do not have an effective way to allow you to show the books, least help with sales. Even after I called their technical support, got the sorry story. Bummer.

It’s always been part of my game plan that I would work with small photobook stores to partner with in order to sell my books, thus I did not make the sales options for my web site as a very high priority until recently. In today’s artistbook and photobook market it seems that many, if not most, small bookstores get a constant deluge of new titles. Thus I realizing to effectively sell my books, I need to have the option(s) to be able to sell directly.

Thus I used the time to evaluate some alternative sites that might be able to host my domain name, have a great ability to show photographs and products (artist books) and the commerce infrastructure to take orders. I had evaluated SquareSpace when I made the earlier decision to go with PhotoShelter but the buzzzz seemed to point to recent changes in how SquareSpace could be developed (I am NOT a IS programmer! So it has to be pretty simple). It quickly appeared to me that SquareSpace was now a good potential to check all of my boxes.

One nice thing about SquareSpace that sucks you in is there FREE 15 day offer to develop your web site and see if it seems to work for you. Wow, what a difference in bringing all of my website parts together; easy. Perhaps even the Big Easy. Also an improvement in how they manage and subsequently display photographs and art work. Still a few quirks in how SquareSpace does things, but since I have been poking a lot of blog sites, etc for my social media, I assumed that certain things could be done; so it was just a bit of a learning curve on how to do it.

I decided on the option of having a landing page that would announce something in particular and then a big ENTER to make sure you know where to proceed. This allows me to keep the focus on an event, such as my up coming workshop with Medium Festival for Developing a Creative Book that will occur in San Diego next March 23 and 24th. I then can decide where within the website you will first subsequently land, which for now is my project Trabuco Flats. So far, so good.

Thus just before Thanksgiving my web site was pretty well designed on SquareSpace, so I decided to pull the trigger and transfers my domain name from PhotoShelter. I did not upgrade to the commerce capabilities yet as I still want to make sure that all of the things were in place and learn a little bit more about their formatting tools. I also want to poke some of the other sites on SquareSpace that use the selling tools to get some ideas of what I want to implement. Not that anybody was looking to buy my artist books for Cyber Monday!

Maybe I missed a big sales opportunity this year, but there is always next year while going slow and easy at my own pace keeps my stress levels down. I need to enjoy the day.

So I put enough hyper links in this post and if you have not taken the bait yet, then check it out now.

Cheers!

Doug

October 31, 2018

Artist stress

Filed under: Art, Photography, Projects/Series, Trabuco Flats Mystery — Tags: — Douglas Stockdale @ 11:59 pm

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Buckwheat, Trabuco Flats 2018 copyright Douglas Stockdale

As an artist, sometimes a little stress can be a good thing once in a while, but constant stress can be a killer, in more ways than one.

Recently I contributed a few photogaphs to Tara Wary’s Too Tired for Sunshine project on Instagram. I had reviewed her book of the same title for The PhotoBook Journal and during the process of writing the review and discussing the book and her project, I realized that my Memory Pods project might be of interest to Tara. My project is investigating the loss of memory as the loss of a person’s individuality, as in dementia and Alzheimer’s disease during that long memory loss process, the individual affected has sever boughs of depression.

In the process of working with Tara, I think I increased my own self awareness, such that recently when certain unplanned events occurred (computer and printer going sideways), I found myself getting tired, listless and unable to get artistically engaged. With that I also felt overwhelmed by little things, stuff that did not bother me before. I have realized that I was probably stressed out. That was a bit of surprise as I am aware of the effects of stress and do my best to avoid these kind of conditions.

The good news; stress is mostly self-induced. We do it to ourselves. Which means if you realize you are stressed out, you can also do something about it. You need to change some things. You are the right person to get rid of your own stress. It can be done.

Now I also know that in certain kinds of situations stress might be helpful to get the adrenalin pumping, such as a dangerous event suddenly occurring. I also know some artist who state that they thrive in stressful conditions and do their best work, such as under a must-do-deadline. I also note that these same artist become procrastinators in order to create stressful events, to get the adrenalin really pumping, then wonder why when something unplanned goes wrong and they do miss a deadline, why they should be held accountable. A problem that they created.

Now I am not a doctor, but I have come to understand that long term stress can have some pretty detrimental effects; as noted above regarding tiredness in conjunction with sleeplessness, anxiety, listlessness, unable to focus, get engaged or make decisions. Long term stress is also associate with heart disease and other cardiopulmonary disorders, e.g. high blood pressure. Not good and needs to be avoided.

I also know that being an artist can be a stressful as working career and perhaps a bit more for those who are self-employed and depend on the sale of their art to make a living. If you are not a celebrated photographer or painter with a constant high demand for your creative endeavors, you just don’t know when the next exhibition or print sale will occur.

And then when some trusted equipment suddenly breaks down or goes sideways that can be a set-back as I recently found out. A computer just completly stops working due to a mother-board failure after 10 years with a loss of some photographic files. Shortly thereafter a 13 year old wide-format printer has printing issues and locks up. Then find that that the new computer and old printer seem to have color-management issues; what you see is not what you get as a print. Close, but not close enough. All of these equipment and process things can be overcome with time and money, then what if you have the time but not the money? Then more time is then needed while the money is saved up meanwhile you have placed yourself under a project deadline of some sort or the other.

These are the kind of things that can create stress and honestly, these are the kinds of things related to life and living. Crap will happen and sometimes a lot of crap can happen. My issues are extremely mild compared to those whose homes were blown away by a hurricane, or burnt to a crisp in a fire-storm.

Thus one thing that I have recently learned to controlling stress; keep things in perspective. Current events might not be as bad as you think these are. Related to this: count your blessings. Give yourself credit for the things you have accomplished and still able to do. Don’t sell yourself short.

The corollary to the one just above; don’t compare yourself to others. Especially highly successful artist whom you think have everything that you want. They have their issues too, just different ones.

One thing I did regularly and then stopped for awhile, but I am back at again; make a daily to-do list of few things that need to get accomplished. It’s an old project management tool; focus on the meaningful few things and not get distracted by the multitude of time-wasting tasks (time on IG or Facebook). Prioritize the few things that need to be completed and then reward yourself with some of the (fun) time-wasting things like spending time on IG looking at everyone else’s photos. Completing the few things that are really needed provides a nice sense of accomplishment. This process provides me with creative focus and helps decision making, it essentially gets me back in gear and for me, almost entirely eliminates stress.

What I don’t complete on my to-do list today I then put on the top of tomorrow’s to-do list. I have found that this is also a secret to getting a good nights rest; I don’t find myself thinking about what-I-need-to-do-tomorrow in the middle of the night if I already acknowledge what I need to do tomorrow. Since I get things done on my to-do list, knowing its on tomorrow’s list provides confidence that I will get’r done.

Related to this; Focus on the things I (you) can control, not about the things I (you) can’t control. I can make a gallery submission, but I can’t control if the gallery likes my work or wants to exhibit or sell it. So I can focus on making a really good submission, which is what I can control.

Money; the all time stressor for most individuals and couples, not just artist. If you are like me, an artist that collectors are not beating down the doors to buy my prints, cash-flow can become an issue. So make sure that money does become a stress point; get a day -job or second job and budget what you’re spending so that you don’t go into debt. Case in point, when my old computer gave up the ghost, I took a small loan to purchase a 27″ iMac. But while I was still paying off the iMac, my 17″ printer started having issues. I was fortunate to find a temporary printer fix and now I’m living one day at a time for my printing needs until I pay off the iMac and save for a new printer. Not the ideal solution but one that works and I don’t stress out over it financially. This too will pass.

I think setting short, mid-term and long-term goals is helpful, but I understand much better now that if you don’t make some adjustments to those expectations when circumstances change, this can create some real stress. I think I knew this before, but when the recents events occurred with my computer and printer, I loss sight of the fact that my goals are just that, goals. Thus my goal to (self)/publish my project Trabuco Flats next Spring is not a terminal end point. Nothing hangs in the balance except for my expectations; thus when crap happens; time to change expectations. So maybe Trabuco Flats is published in 2020 instead. So what? Perhaps in the meantime I make some gallery submissions and get some other exposure for this project. That gives me time to sort out the printer color-management issues, perhaps upgrade the printer as well as more time to edit and sequence this body of work. No stress.

Last; get some exercise! Try to take an hour walk every other day; get out of the house, let the sun shine on you or go out and watch the leaves turn golden. Do something other than sit on your butt in front of this computer. So as you read this, then Stop! Stand up and walk to the apposite side of the house/studio for a short stroll and come back in 5 minutes.

Okay, now move on to your next thing.

Cheers!

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