Looking at one photograph at a time
Season's Greetings, (Version 2), Verso, copyright 2023 Douglas Stockdale – I came up with what I thought would be a vice nice version of a holiday card for this year that would incorporate my latest interest in hand-sewing my prints. As you might imagine, my real intent and interest was in the design and sewn pattern... Continue Reading →
Untitled (Entanglements series, #9515-4) copyright 2023 Douglas Stockdale – With 2023 coming to a close, I need to post a shout-out that I have been writing about art and photography here since 2007, which has been an interesting 15 years of publishing my random thoughts on art and photography. I am not sure that this is much... Continue Reading →
Untitled (Last Iceberg series, #101325 version #2) copyright 2014/2023 Douglas Stockdale – When I started to consider how I might increase the visual presence of my Last Iceberg series, one of the first thoughts that came to mind was what-if these Last Icebergs could provide us with an distress message as to what the full extent of... Continue Reading →
Untitled (The Last Iceberg series, #9200 Solo Voyage) copyright 2022/2023 Douglas Stockdale – Last week I wrote an article about working with a back-stitch on one of my Entanglement cyanotypes and how I came up with an idea of how to potentially represent the barb's along the barbwire fences. Which then led me to consider other alternatives to... Continue Reading →
Untitled (Entanglement series, #6908-2) copyright 2023 Douglas Stockdale – When I recently learned to use an embroidery back-stitch on my cyanotype prints for one of Last Iceberg series prints, I realized that using the back-stitch on one of my recent Entanglement series cyanotypes (above) could be ideal solution to a problem I had encountered. I had found... Continue Reading →
Untitled (Last Iceberg series, #101325) copyright 2014/2023 Douglas Stockdale - Necessity is the mother of invention, which recently for me meant learning another embroidery design trick that I can incorporate into my cyanotype prints; the back-stitch. First came the concept that I was attempting to investigate. Up to now I have been using what I... Continue Reading →
Untitled (Entanglement series) copyright 2018/2023 Douglas Stockdale - While tweaking my cyanotype prints and artist statement for my Critical Mass 2023 Finalist project and I have been also working on some visual alternatives. I discussed earlier the concept of incorporating a red line as a visual metaphor for the redlining that occurred in the 1930's... Continue Reading →
The Devil's Rope (Entanglement series) 2023 copyright Douglas Stockdale – While continuing to assess my Critical Mass 2023 Finalist project, Entanglement, earlier in the week I had hand-colored a couple of my cyanotypes with Prismacolor art pencils to evaluate an alternative way to provide focus on the Structural Housing Inequities in America for this project. I... Continue Reading →
Earlier when I had announced that I was included in issue #42 of The Hand magazine, I had no idea how many or which of my Entanglement cyanotypes had been included. Tricky devils, they want those who are included in the issue to promote the magazine (cover) and not their images until everyone finally received... Continue Reading →
Untitled (Entanglement series) 2023 copyright Douglas Stockdale – Good news, not so great news; Earlier this fall I found out I was a Critical Mass 2023 Finalist (wohooo!), while I subsequently found out that I was not selected as one of the Top 50 by the 200 curators who made the juried this (Okay, a collective... Continue Reading →
Singular Images 