Looking at one photograph at a time
I am very honored to have the opportunity to co-exhibit with Paul Anderson at the OC Camera Gallery this coming March. Artist statement: Fragmented Realities is an exhibition of two complementary bodies of art by Paul Anderson and myself that investigates the contemporary urban landscape. Both are very divergent in their respective methodologies, pairing the... Continue Reading →
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – Over the holidays, I did some experimentation with polymer photogravure plate making and printing as a potential alternative process for my Urban Ashes project. Nevertheless, the first image I printed as a photogravure was from my Entanglement series, above, as my intaglio print coach recommended using an image that was... Continue Reading →
China cyanotype series, copyright 2008/2024 Douglas Stockdale I am really honored that Issue #46 of The Hand magazine (Fall 2024) provided me with a full page feature of my China cyanotype series. My cyanotypes had been featured twice before in The Hand, while either singular images or as a pair. So a full page feature... Continue Reading →
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – As I have for many years, a look back on my accomplishments in 2024. I mentioned that this was a healthy task for creatives in my last end of year update for 2023. Likewise, I will probably post my 2025 goals next week, as I did here for 2024. I... Continue Reading →
Overdue for an update. Back in April I wrote an article about how I might combine coffee toning with my cyanotype prints for my Urban Ashes project. The thinking was that the Prussian blue cyanotype print color did not entirely resonate with this particular project's narrative for me and I wanted to make this subject... Continue Reading →
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – I am really excited that I was selected as a 2024 Critical Mass Finalist, as one of the 200 individuals chosen to move to the next step of judging process. This is also the second consecutive time that I have been selected as a Critical Mass Finalist, and both have... Continue Reading →
Entanglement: Transformation 0356-4-8, copyright 2023/2024 Douglas Stockdale – My practice of utilizing a print weave of my cyanotypes continues to be a a creative journey. When I began the weave methodology earlier this year, my practice was pretty straight forward as to the weaving process that resulted in a uniform mosaic pattern. Since I was just starting... Continue Reading →
San Clemente Pier, copyright 2022/2023 Douglas Stockdale – Honored that my artwork for our 2023 Season's Greeting card is now matted and framed (without glass) and is in the permanent collection of one of my collectors. I am told that this will be a seasonal display in their home, which is just fine with me. Beats the... Continue Reading →
Untitled (Entanglement series, No. 8847-1) copyright 2023 Douglas Stockdale – After realizing that my classic cyanotype pre-made chemicals have an expiration, I have spent the majority of January reprinting many of earlier cyanotype prints for my Entanglement series with 'fresh' solutions. Last week, while using another pair of classic cyanotype chemicals (solutions A&B) that I purchased last... Continue Reading →
Untitled (Marshall Fire: Aftermath Ashes #6560) copyright 2022 Douglas Stockdale – This is my third post (here and here) related to the Marshall fire that occurred two years ago in Boulder Colorado. Maybe this is not the most uplifting subject to end the year with, while perhaps the most realistic regarding the times we live in. This was... Continue Reading →
Singular Images 