Looking at one photograph at a time
Max Planck's Magic Glasses #3 (Art & Science) copyright 2026 Douglas Stockdale While learning how to use the inkAID pigment ink transfer process, I had a number of opportunities to gain another skill set; how to patch and fix a messed up transfer print. I liken it to my darkroom printing days when at the end of... Continue Reading →
Jurors for first Mute Photo Exhibition I am going to be one of four jurors selected for the first International Mute Photo Festival, which will include an exhibition and a catalog. The other jurors include Ioli Taznetaki (@iolitzan), Apostolis Giannokopoulous (@giannakopoulosap ) and Shuchi Kapoor (@girlinthegalli). What makes this opportunity very interesting is that this... Continue Reading →
Artichoke Thistle, Spring Transition (monotype version 3), copyright 2026 Douglas Stockdale Earlier this year I started working on a process of incorporating pigment ink transfers (inkAID) with my unique intaglio ink monotypes (prints). Regretfully, my first attempts at combing these two were not all that great, while I was learning a few things that might give... Continue Reading →
Artichoke Thistle, Spring Transition, copyright 2026 Douglas Stockdale While doing a few social media posts on Facebook in various groups about my multimedia monotypes, I had a couple of individuals in an alt-photo/printmaking group suggest that if my underlying black and white was a printed via traditional inkjet printing, then what I was creating was... Continue Reading →
Urban Ashes, multi-media monotypes, copyright 2024 Douglas Stockdale - Wow, for the second consecutive issue of The Hand magazine, I have a full page feature of my artwork submissions. Last issue #46 featured my cyanotypes I made from photographs from my assignment in China in 2008, while for issue #47 (above), a bit different subject... Continue Reading →
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – Over the holidays, I did some experimentation with polymer photogravure plate making and printing as a potential alternative process for my Urban Ashes project. Nevertheless, the first image I printed as a photogravure was from my Entanglement series, above, as my intaglio print coach recommended using an image that was... Continue Reading →
Blue Horizon No. 193104, cyanotype, 2024 copyright Douglas Stockdale – The last couple of months have been an artistic challenge for my cyanotype printing as well as life in general. Losing a friend who appeared to be well on the way to recovery is difficult. It keeps the other set backs in one's artistic life in... Continue Reading →
Entanglement: Transformation 0356-4-8, copyright 2023/2024 Douglas Stockdale – My practice of utilizing a print weave of my cyanotypes continues to be a a creative journey. When I began the weave methodology earlier this year, my practice was pretty straight forward as to the weaving process that resulted in a uniform mosaic pattern. Since I was just starting... Continue Reading →
Last Iceberg (No. 9200) copyright 2022/2024 Douglas Stockdale – With today's solar eclipse and the 'focus' on our sun (and its effects, which is why a ton of individuals have purchased special solar eclipse glasses), a good time to provide a PSA (Public Service Reminder). Global warming of our blue planet is not due to any changes in... Continue Reading →
Urban Ashes (No. 094853) copyright 2022/2024 Douglas Stockdale – For my on-going environmental project Urban Ashes (yes, the project name as slightly morphed again), while evaluating some cyanotypes prints, the blue just did not entire resonate with me. Seemed too cheerful and not dire enough for my subjects. I was intrigued in how other alternative photographic... Continue Reading →
Singular Images 