Looking at one photograph at a time
Untitled ( #021923) copyright Douglas Stockdale 2023 - I have started experimenting with a pigment ink transfer process to create some interesting and probably best described as abstract artwork. Looking at the final print, above, it would be difficult to know what the photographic subject was that I was stating with as it has little... Continue Reading →
Insomnia, Cyanotype, copyright 2012 Douglas Stockdale – Yesterday as I stated in my post, I printed a cyanotype, above, that confirms that I have my solar cyanotype printing process in a predictable amount of control. I liken this to my earlier zone system work when I was trying to have a film exposure-development combination that allowed me... Continue Reading →
Sea Palm I, Prismacolor over cyanotype, copyright 2023 Douglas Stockdale - At the moment, I am waiting for the results of today's solar cyanotype printing to dry-down, as I find the final results for a cyanotype print are not fully revealed until the following day. Something about that dry-down process. This is going to be... Continue Reading →
Image copyright 2012/2022 Douglas Stockdale - While I continue to tweak my cyanotype printing process concurrent with the overcast and rainy days we are having now in Southern California for the coming week (non-solar printing conditions!), I have time to consider how I want to proceed. Although a digital faux cyanotype is not meant to... Continue Reading →
Just a quick update on yesterday's article regarding my attempts to find the Dmax (maximum 'black' or dark) for my cyanotype paper with my new acidified water development process. Looking at my 13 minute exposure (Gray card reading 14-2/3), I had thought I had reached the Dmax for the paper/processing combo, except when the print... Continue Reading →
I am still plagued by being a science-nerd which is kinda of cool when my sense of curiosity overlaps my artistic instincts. Something that I have yet to read about regarding alternative photography processes involving contact printing using solar power to create the artwork (e.g. cyanotypes) is how to evaluate one's solar light intensity? Here... Continue Reading →
Surf-Rider I (2017), watercolor over Cyanotype, copyright Douglas Stockdale 2022 - This is now my final version using watercolor paint and watercolor pencils over my Surf-Rider I cyanotype. As I posted previously with the addition of the Magenta and Yellow, the last potential paint color to add will be a 'black' to complete the CMYK... Continue Reading →
Yesterday I discussed some transparent yellow options in my quest to create a pseudo four-color gum version for my new cyanotypes series. In retrospect, I missed a couple of other transparent yellows in my watercolor kit to evaluate; Yellow Ochre and Sepia. So more about those other yellows at another time after I have had... Continue Reading →
Memory Pods, blue (Cyanotype) copyright 2022 Douglas Stockdale - My first experiment with Cyanotypes is now complete. Only a week late for World Cyanotype Day. This is the most basic version of a cyanotype that harkens back to the earliest versions by Anna Atkins and very fittingly, the first book of photographs using Cyanotypes in... Continue Reading →
Anthropogenic Crisis #085829 copyright 2021 Douglas Stockdale – Today is World Cyanotype Day, which is an alternative photographic process that I have been contemplating, in conjunction with Platinum and Gum Bichromate printing. So perhaps that this is a fitting day to jump into this artistic pool. I won't be making a cyanotype print today as I just... Continue Reading →
Singular Images 