Looking at one photograph at a time
LED UV Lightbox, 2023 Douglas Stockdale - For the past nine months I was committed to use solar printing for my cyanotypes...which was okay until it wasn't. I have been sitting on my hands for almost all of May due to clouds (affectionally known as May-Gray here in Southern California), and already sensing the pending... Continue Reading →
31 step wedge & Nextav 3A photo copyright Douglas Stockdale - Last December I had written an article about using a Zone system gray card to determine my solar cyanotype exposure times as a means to obtain the Dmax (Maximum Darkness, e.g. blackest tonalities) for my solar cyanotype printing process. I have actually moved on... Continue Reading →
Sea Palm I, solar cyanotype with Prismacolor pencil copyright 2023 Douglas Stockdale - At the beginning of the year, I had decided to hand color one of my Sea Palm I solar cyanotype prints. Which at the time, I had thought was a one-time event. Apparently not. LoL. When I was experimenting with hand coating... Continue Reading →
Wo Zhi KanKan (I am just looking), (JiaShan, January 2008 #2829) 2023 copyright Douglas Stockdale - When I had decided to experiment with Cyanotypes last October as an alternative photographic process, I wanted to test the waters with a very minimum investment in equipment, facilities and processes. Especially since I was considering Cyanotypes as the... Continue Reading →
Untitled ( #021923) copyright Douglas Stockdale 2023 - I have started experimenting with a pigment ink transfer process to create some interesting and probably best described as abstract artwork. Looking at the final print, above, it would be difficult to know what the photographic subject was that I was stating with as it has little... Continue Reading →
Insomnia, Cyanotype, copyright 2012 Douglas Stockdale – Yesterday as I stated in my post, I printed a cyanotype, above, that confirms that I have my solar cyanotype printing process in a predictable amount of control. I liken this to my earlier zone system work when I was trying to have a film exposure-development combination that allowed me... Continue Reading →
Sea Palm I, Prismacolor over cyanotype, copyright 2023 Douglas Stockdale - At the moment, I am waiting for the results of today's solar cyanotype printing to dry-down, as I find the final results for a cyanotype print are not fully revealed until the following day. Something about that dry-down process. This is going to be... Continue Reading →
Image copyright 2012/2022 Douglas Stockdale - While I continue to tweak my cyanotype printing process concurrent with the overcast and rainy days we are having now in Southern California for the coming week (non-solar printing conditions!), I have time to consider how I want to proceed. Although a digital faux cyanotype is not meant to... Continue Reading →
Just a quick update on yesterday's article regarding my attempts to find the Dmax (maximum 'black' or dark) for my cyanotype paper with my new acidified water development process. Looking at my 13 minute exposure (Gray card reading 14-2/3), I had thought I had reached the Dmax for the paper/processing combo, except when the print... Continue Reading →
I am still plagued by being a science-nerd which is kinda of cool when my sense of curiosity overlaps my artistic instincts. Something that I have yet to read about regarding alternative photography processes involving contact printing using solar power to create the artwork (e.g. cyanotypes) is how to evaluate one's solar light intensity? Here... Continue Reading →
