Singular Images

April 16, 2019

Open Show LA – Memory Pods presentation

Filed under: Art, Memory pods, Photography, Projects/Series — Tags: , , , — Douglas Stockdale @ 12:04 am

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Untitled, Memory Pods, copyright Douglas Stockdale

I am very honored to be selected to present my Memory Pods project during a Lucie Foundation Month of Photography Los Angeles (MoPLA) event; Open Show Los Angeles.

This event is open to the public and will be held at my gallery, Fabrik Projects, which is located near Culver City; 2636 La Cienega Blvd, Los Angeles, California.

Event date and timing: Tuesday, April 23rd, 7:30-9:30pm

Also joining me in giving talks about our art work are Michele Zousmer, (Irish Travellers), Rollence Patugan, (The Danes), SameSource, (Reinterpreted),  and
Jeremy Jackson and Jordan Jennings, (7th and Los Angeles).

This is also an opportunity to see the the current exhibit at Fabrik Projects by Amadea Bailey – “Expressions”.

So please come join us for an evening of photography, artist talks, and conversation.

Cheers!

 

 

 

June 12, 2018

Feedback – Artist talk at Fabrik Projects

Filed under: Art, Books, Middle Ground, Photography, Projects/Series — Tags: , , , , — Douglas Stockdale @ 6:10 pm

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Douglas Stockdale, Artist talk, Fabrik Projects, photos by Kasey Taylor

Having an opportunity to having an open discussion with those interested in your work is a great chance to create a dialog as well as get some really honest feedback from your work. Really honest. Yes, there was what one person called afterwards a little bit of a “heated discussion” between a couple of individuals who had different takes on this project.

For my part, talking about myself and my project is not the easiest thing to do, makes me a bit nervous, so I did not think that I provided the most eloquent presentation, but almost everyone else thought that my talk and subsequent discussion was very informative. Perhaps this event for me was similar to participating in a portfolio review, except it was live, on-stage and with a whole lot of people involved, all providing input at the same time while I did not have a chance to write notes. A bit intense.

So some take aways:

First and foremost, when asked what others thought that this project was about before I told them about my concept, they almost all agreed; an urban landscape that was mysterious and since they could not figure out the place, ambiguous, and in the consistent way it was presented, very intriguing. They were all really curious and wanted to know more. Which was totally in line with my initial framing and idea for this project. So that was pretty cool!!

Regretfully what no one was talking about was if this body of work could be considered a political parody of the Trumpian Mexico border wall. Or if it could be a metaphor for injustice or political/social/cultural issues rising out of blocking and stopping segregation or other types of impediments. I think that this point underlies one of the issues of conceptual art, sometimes it works, sometimes it does not. Especially if the concept is abstract enough and the underlying idea is not presented in a way to visually connect the message with the images, which I understood was one of the concerns with my project; it does not shout-out a strong political protest narrative.

Nevertheless, having my underlying concept did help me in how I created this body of work and I believe helped to inform me on the artist book design and layout. I also appreciate that this concept helped me create an intriguing and mysterious body of work.

So some other things that came to light; here in California the concrete structures that are the base of these barriers are called K-rails, while apparently everyone else in America call these structures Jersey Walls or Jersey Barriers. Interesting.

Many of the beautiful blooming plants that I photographed, such as the one on the cover of my artist book, are Oleander, which is actually a very poisonous plant. The physical barrier is actual multi-faceted and more complex than I had realized, thus creating another dimension to my project that I was unaware of. Perhaps another reason for this project appearing mysterious and having another darker dimension and undercurrent as to what appears as beautiful.

All in all, it was a really wonderful opportunity for some interesting feedback on my project, which I appreciated very much. Oh, and if you are now more interested in my artist book, editions are available from Fabrik Projects, Arcana book store (Culver City) or from me.

Cheers!

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March 3, 2018

Photo Book as Art – Artist talk at PADA

02-28-18 Stockdale during Photo Book Presentation for PADA by Karen Schuenemann

Douglas Stockdale’s Photo Book Presentation all photos by Karen Schuenemann

I think that my Photo Book as Art presentation that I had announced earlier was a pretty good success judging by the interaction, questions and follow-on inquires about the various aspects of book design and publishing. This artist talk was for the Photography and Digital Arts (PADA), a group of the Palos Verdes Art Center (PVAC).

I curated a small pop-up exhibition of a diverse selection of international photo books that have been recognized by the contemporary photo book community as having artistic merit. This included Mariela Sancari’s self-published Moises (one of the best photobooks of 2016), Claire Felicie’s self-published Only the Sky Remains Untouched (second place, Photo Independent’s International Photo Book Competition), Ellen Korth’s self-published CHARKOW (winner, Photo Independent’s International Photo Book Competition), Roger Ballen’s Ballenesque and The Theatre of Apparitions, Max Pam’s Ramadan in Yemen, Kate Nolan’s Neither, Andrej Lamut’s Nokturno, Renee Jacobs’s Slow Burn (limited edition version) Tymon Markowski’s self-published Flow, Harvey Benge’s Home Town Dream, Matej Sitar’s self-published America, My Way and Nancy Rexroth’s IOWA. I also shared by Blurb book dummy In Passing and introduced my photobook Middle Ground to illustrate the development of a hands-on book dummy, which I had all three versions of Middle Ground (see blow).

My self-published Guide to Self-Publishing an Indie Photo Book and a copy of LensWork #74, that includes my In Passing portfolio, were included in the raffle for those who attended at the end of my presentation.

Again, I appreciated the great hospitality (yummy snacks and adult beverages) and warm welcome for my artist talk. That I also sold a couple of my books was a nice and unexpected bonus. A great photographic group to consider if you live in the greater South Bay region of Southern California. Thank you PADA!

Cheers

02-28-18 Stockdale Photo Book Presentation for PADA by Karen Schuenemann

February 23, 2018

Photo Book as Art – Artist talk and discussion of Middle Ground

Filed under: Art, Art Market, Books, Middle Ground, Photobook, Projects/Series — Tags: — Douglas Stockdale @ 10:05 pm

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America (Middle Ground Book Dummy #2), 2016 copyright Douglas Stockdale

For those on the left coast next week, I am very happy to announce that I will be speaking on “Photo Books as Art” for the Photographic and Digital Artist Group (PADA) at the Palos Verdes Art Center (PVAC) on Wednesday, February 28, 2018 at 7 pm. For non-members there is a $10.00 fee, with the good news is that you will also be in the drawing for one of my photobooks.

Additionally this will be the first opportunity I will have to introduce my current photobook project, Middle Ground, a political satire (political protest book).

The PADA announcement:

DOUGLAS STOCKDALE TO SPEAK ON “PHOTOBOOKS AS ART” at PVAC WEDNESDAY, FEB 28
Douglas Stockdale, artist, educator, mentor and founding publisher of The PhotoBook Journal will give photographers tips on using photobooks as a way of presenting their portfolios and as works of art in themselves at the Palos Verdes Art Center (PVAC) on Wednesday, February 28, 2018 at 7 pm. At this meeting, sponsored by the Photographic and Digital Artists Group (PADA), Stockdale will review selections by the editors of The PhotoBook Journal for their “Interesting Photo Books for 2017”. 

The books to be discussed will be available at the presentation and can be previewed on The PhotoBook Journal website

Admission to this event for non-PADA members is $10 and automatically enters the ticket holder in a drawing for one of the speaker’s books.

Two of Stockdale’s limited edition artist books were recognized, respectively, as one of the Best Photography Books for 2017 and 2014. He has curated/juried photobook exhibitions for Photo Independent and Fotografia Internazionale di Roma, Rome, and co-curated with 10×10 Photobooks and FotoBookFestival Kassel (Germany) and was a guest curator for LA Photo Curator.

The PhotoBook Journal Features & promotes photographers & artists & their published work

 

Hope to see you there!

For social media (FacebookTwitterTumblrInstagram & LinkedIn), I will be using the following hash tags for this Middle Ground; #MiddleGround, #NoNewWall and #NoWall.

Let me know if you want to be placed on the interest list (doug@douglasstockdale.com) for Middle Ground and if you can help me network for potential exhibitions, I would really, really appreciate that very much!! (expect this to part to be repeated very often!)

Cheers!

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