Looking at one photograph at a time
One of the vexing aspects of printing on the Hahnemuhle Rag Metallic papers is the resulting print does not look exactly like the digital image on a monitor (or what I can share on this photo-blog). For me this is further confounded when I am using some of the Metallic paper as a pseudo mat,... Continue Reading →
I am very happy to announce that five of my Memory Pods photographs have been selected by Fabrik Projects gallery for their Holiday Group Exhibition, which runs from December 17, 2019 thru January 4th, 2020. The Fabrik Projects goal for this exhibition is to provide affordable art for the holidays at $500 or less per framed... Continue Reading →
My new 24" Canon Pro-2100 printer is now up and running. Yes! I am really old school about photographic images in that I need to print it to feel comfortable in evaluating the color, contrast, and composition as a final image. For me, a print is the final output of my creative endeavor, thus essential... Continue Reading →
When coming up on a milestone birthday in the past there was usually not much out of the ordinary to report. Not this year for me. So although I have not provided many personal updates, maybe now is a good time for a quick summary of what has turned into an interesting year. Let's start... Continue Reading →
From the heart warming movie Field of Dreams; if you build a (baseball) fields, they will come. Thus the idea behind my purchase earlier this week of a brand-spanking new 24" Canon Pro-2100 printer. If I make bigger prints, I will then sell these! Up till now I mainly sell 16 x 20" prints (on... Continue Reading →
I have been wondering a lot about the relevances of social media for myself and other artists, and perhaps more specifically about staying on Facebook/Instagram. First, the basic question, why use social media (e.g. Facebook/Instagram, Twitter, etc) by an artist? For an established artist who has multiple galleries that represent them, constant demand for exhibitions,... Continue Reading →
In response to my last post, my friend Gerry Clausing sent me his tweaked-out version of the photograph I had featured. He had pushed the color palette well into the hyper warmer colors and essentially make the foreground field an electric orange, "since this project was placed in Orange County" (California). Actually I like his... Continue Reading →
My recent batches of expired 120 film that I am using for my Gardening For Ordnance project has been providing some pretty drastic visual effects. "Off-color" transparencies would be an understatement. For last week's unaltered scanned film, here, the resulting image really did not have much yellow left in the film. The resulting visually off-kilter... Continue Reading →
Yesterday I took a day trip down to San Diego to meet up with some of my editorial and operational team at the Medium Festival. Primarily we were there to meet up with the documentary photographer Louie Palu for an interview I have in process for publication with PhotoBook Journal. Okay, we were also interested in... Continue Reading →
Pease be advised: Do not try to adjust your monitor! The colors you are looking at are indeed "unique". One of the interesting aspects of using expired 120 film is not knowing what might come back from the processing laboratory. Sometimes, as with the Pampas Grass photograph that I had discussed earlier this week, most... Continue Reading →
Singular Images 