Looking at one photograph at a time
Douglas Stockdale, Ellen Friedlander & Beatta Bosworth photo by Donna Cosentino, copyright 2021 There is an Artist talk, virtual on Zoom, tomorrow, February 25th, 5:30 – 7:00 pm (PST), and there is still space available, with the sign-up here. Louise Russell, Donna Cosentino, the Executive Director of The Photographer's Eye gallery and I will be discussing... Continue Reading →
Yesterday afternoon and into the early evening The Photographer's Eye gallery hosted the opening reception for my solo exhibition of my Memory Pods series in conjunction with the solo exhibition of Louise Russell's botanical studies, Ways of Knowing. As as evident in the lead-in photograph above, we were all wearing masks and social distancing, which... Continue Reading →
This weekend I found myself spending a lot of time just staring (studying?) the initial prints from my new series Quantum Elements. I found myself questioning the underlying reason why I am creating this series of abstractions. I know what turned me onto this series in the first place; capturing the visual effects that link... Continue Reading →
Due to the COVID-19 pandemic, my solo exhibition at The Photographer's Eye gallery in Escondido (San Diego County) was delayed by one month. The new exhibition dates are; February 20th - March 20th, 2021. I will be exhibiting thirteen images from my Memory Pods series. Concurrently Louise Russell’s botanical photographic studies from her families historical San Diego... Continue Reading →
Angst copyright 2014 Douglas Stockdale I had the good fortune to announce in October that my Memory Pods series is going to be featured in a solo exhibition at the Photographer's Eye gallery in Escondido next January. Now the next wave of COVID-19 is impacting just about all of California and we are now back... Continue Reading →
Back in July when I first wrote about experimenting with the Hahnemuehle Photo Rag Metallic I had closed my article with a question as to whether to frame these photographs under glazing, whether it is museum glass or acrylic. My concern is with the potential loss of luminosity under a layer of glazing. My final... Continue Reading →
Ryuten Paul Rosenblum - Japan Temple Wall – Nanzenji The Southeast Center for Photography (SEC4P) had a recent call for Abstract (photography), juried by Blue Mitchell. The exhibition call was looking for non-representational imagery from found objects in nature, man-made or figurative works and images that do not attempt to represent external reality, but seek to achieve its... Continue Reading →
I think that I have known this for some time; I seem to work a little bit better when working on a dead line, especially when the due date is rapidly approaching. Case in point, an open call for submissions for 'Abstract Photography', with a deadline of Oct 4th. Thus the my new COVID-19 series... Continue Reading →
Hello... I know that it is always a let down to receive these types of emails, but please remember that the jurors’ opinions are entirely subjective. We know you have worked hard on this body of work and we want to encourage you to keep putting it out there and making work that matters to you.... Continue Reading →
So my angst; I feel that I have been working predominately in one style, what I have termed documentary-style landscape photography, very representational work, and now very intrigued and investigating a completely different direction in my artwork. I could rationalize that this might be confusing to my collectors, but I have so few, would this... Continue Reading →
Singular Images 