Looking at one photograph at a time
From the heart warming movie Field of Dreams; if you build a (baseball) fields, they will come. Thus the idea behind my purchase earlier this week of a brand-spanking new 24" Canon Pro-2100 printer. If I make bigger prints, I will then sell these! Up till now I mainly sell 16 x 20" prints (on... Continue Reading →
I have been wondering a lot about the relevances of social media for myself and other artists, and perhaps more specifically about staying on Facebook/Instagram. First, the basic question, why use social media (e.g. Facebook/Instagram, Twitter, etc) by an artist? For an established artist who has multiple galleries that represent them, constant demand for exhibitions,... Continue Reading →
In response to my last post, my friend Gerry Clausing sent me his tweaked-out version of the photograph I had featured. He had pushed the color palette well into the hyper warmer colors and essentially make the foreground field an electric orange, "since this project was placed in Orange County" (California). Actually I like his... Continue Reading →
My recent batches of expired 120 film that I am using for my Gardening For Ordnance project has been providing some pretty drastic visual effects. "Off-color" transparencies would be an understatement. For last week's unaltered scanned film, here, the resulting image really did not have much yellow left in the film. The resulting visually off-kilter... Continue Reading →
Yesterday I took a day trip down to San Diego to meet up with some of my editorial and operational team at the Medium Festival. Primarily we were there to meet up with the documentary photographer Louie Palu for an interview I have in process for publication with PhotoBook Journal. Okay, we were also interested in... Continue Reading →
Pease be advised: Do not try to adjust your monitor! The colors you are looking at are indeed "unique". One of the interesting aspects of using expired 120 film is not knowing what might come back from the processing laboratory. Sometimes, as with the Pampas Grass photograph that I had discussed earlier this week, most... Continue Reading →
Gardening for Ordnance series, copyright 2013 Douglas Stockdale - Yesterday, I posted my lament about living in Southern California with the constant sunny days and corresponding blue skies. A very warm and cheerful place to reside, but potentially problematic if one wants to create dark and stormy photographs. Just no clouds to add to any... Continue Reading →
I do enjoy living in Southern California. I really do. The beautiful blue sky was one of the many delights as a result of our move from the Midwest where the presence of a sunny day might be measured in terms of minutes per day. It is just that when someone suggests that there should... Continue Reading →
One of the suggestions made during my Gardening For Ordnance book-dummy review at the LACP Exposure Weekend was to consider a broader urban landscape photograph that might place the location of the decommissioned WWII bombing site in perspective. hmmmm, I am not sure now that this is something I want to include in my project,... Continue Reading →
The past two weekends have been pretty intense, the first being the LACP Exposure Weekend immediately followed by subsequent weekend that was an extended workshop on self-examination. So you could saw that one weekend was listening to others and the other was listening to myself. And both weekends are impacting how I examine my project... Continue Reading →
Singular Images 