Urban Ashes, multi-media monotypes, copyright 2024 Douglas Stockdale - Wow, for the second consecutive issue of The Hand magazine, I have a full page feature of my artwork submissions. Last issue #46 featured my cyanotypes I made from photographs from my assignment in China in 2008, while for issue #47 (above), a bit different subject... Continue Reading →
Fragmented Realities: our exhibit at OC Camera Gallery
I am very honored to have the opportunity to co-exhibit with Paul Anderson at the OC Camera Gallery this coming March. Artist statement: Fragmented Realities is an exhibition of two complementary bodies of art by Paul Anderson and myself that investigates the contemporary urban landscape. Both are very divergent in their respective methodologies, pairing the... Continue Reading →
Polymer Photogravure
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – Over the holidays, I did some experimentation with polymer photogravure plate making and printing as a potential alternative process for my Urban Ashes project. Nevertheless, the first image I printed as a photogravure was from my Entanglement series, above, as my intaglio print coach recommended using an image that was... Continue Reading →
China cyanotypes featured in The Hand magazine
China cyanotype series, copyright 2008/2024 Douglas Stockdale I am really honored that Issue #46 of The Hand magazine (Fall 2024) provided me with a full page feature of my China cyanotype series. My cyanotypes had been featured twice before in The Hand, while either singular images or as a pair. So a full page feature... Continue Reading →
2024 Holiday artwork framed for a collector
2024 Season’s Greetings (Mammoth Mountain, CA) copyright 2024 Douglas Stockdale – I recently framed my 2024 Holiday card artwork for my favorite family collector, which is starting to become one of my favorite holiday traditions. The base photographic image was created during a ski trip to Mammoth Mountain, located in the Sierra's of Central California, at the... Continue Reading →
In retrospect: 2024
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – As I have for many years, a look back on my accomplishments in 2024. I mentioned that this was a healthy task for creatives in my last end of year update for 2023. Likewise, I will probably post my 2025 goals next week, as I did here for 2024. I... Continue Reading →
Happy Holidays & 2024 Season’s Greetings
2024 Season’s Greetings (Mammoth Mountain, CA) copyright 2024 Douglas Stockdale – Tis the season for the Holiday card for the 2024 Season's Greetings! As like last year, I decided it would be fun to hand embroidery another pigment print, while this year I chose a winter landscape photograph from a 2004 ski trip to Mammoth Mountain. As... Continue Reading →
Monotypes & Urban Ashes
Overdue for an update. Back in April I wrote an article about how I might combine coffee toning with my cyanotype prints for my Urban Ashes project. The thinking was that the Prussian blue cyanotype print color did not entirely resonate with this particular project's narrative for me and I wanted to make this subject... Continue Reading →
Critical Mass Finalist (again!) for 2024
Untitled (Entanglement series) 2024 copyright Douglas Stockdale – I am really excited that I was selected as a 2024 Critical Mass Finalist, as one of the 200 individuals chosen to move to the next step of judging process. This is also the second consecutive time that I have been selected as a Critical Mass Finalist, and both have... Continue Reading →
Artistic tenacity – cyanotypes and life in general
Blue Horizon No. 193104, cyanotype, 2024 copyright Douglas Stockdale – The last couple of months have been an artistic challenge for my cyanotype printing as well as life in general. Losing a friend who appeared to be well on the way to recovery is difficult. It keeps the other set backs in one's artistic life in... Continue Reading →