Editing and more editing

Yes, editing and more editing. Does the image capture my heart, does it have an emotional connection, does it work with my head and stay within the boundaries I have arbitrarily chosen, is it a keeper, dud or maybe I just don't know yet. The photograph (an instant recognition and reactionary shutter release) that has taken a brief moment to... Continue Reading →

Landscape photo as social commentary

I am where my emotional connection is developing with regard to my photographic projects from Eastern China, specifically the industrial landscape, such as this photograph. Kinda like the let down that occurs weeks, months or even years after a tragic life event occurs. At some point, the defenses are far enough down that the events wash over and... Continue Reading →

Evolving Landscapes

One thing that I have been striving to do is to include a stronger human presense in my landscape photographs. And seems that others have noticed as well. What I did not notice until it was pointed out to me recently, is that the people in the photogaph seem to be moving away from the... Continue Reading →

2nd book production proof

I received my other book production proof this week, the second book that came in is the second production proof of the softback version of In Passing. It was my first book production proof of In Passing last April that set me off to develop my POD sharpening book. I did not use the B3 custom color for the softbound version of In... Continue Reading →

Pleasure Boat – Xitang

I keep coming back to the couple of days that I spent in Xitang photographing the old water village. The 1200 old structures were very intriging, especially since this village is a not a museum, people still live here and continue their normal lives. But there are shops that do cater to those who come to... Continue Reading →

Book publishing update

While I was on out on assignment today, my updated book Places Amongst Us was delivered. As you might recall, I was disappointed with color of the first production proof, it was like they had put the entire book in a tonal compression chamber; the shadows were blocked and the highlights were blown. It did not... Continue Reading →

Listening to the heart

After writing yesterday about the balance of hand-head-heart in my work, I realize that I may be way too head-strong. With that I also imply I may be too left side brainy, which is the analytical and verbal side of our brain. I don't know, perhaps a guy thing or maybe tooo much an engineer. The right... Continue Reading →

Head – Heart – Hand

I am reading (and re-reading) the article Rigor and Surrender by Bruce Barlow in LensWork #77. An interesting piece and a good self sanity check, or at least for me. My immediate take away deals with the point he makes about a creative person who needs to be aware of three things, their head, their heart and their... Continue Reading →

Editing decisions

As I have been going back through my Eastern China photographs, I have been putting my photographs into one of three series. This is the rough cut or as some might label, the straw man. To me it is part of the editing process. It does force me to make decisions, but it is also part... Continue Reading →

Kjell Andersen – Crossing the River

Kjell Andersen had a fun little contest posted on his blog and I just found out who the winner is - Me! I have been enjoying his SoFoBoMo book Crossing the River a lot. His book is a quentessianal project with all of the elements that trademark a good series, well seen, wonderfully brought to... Continue Reading →

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