Introduction to Photo Book Design workshop outline, 2017 Copyright Douglas Stockdale
In the middle of last month I wrote about updating my workshop outline for Introduction to Photo Book Design that I lead for LACP. Thus this last weekend, with the help of the workshop class, we self-published the second Edition of this awesome course outline. As expected, the workshop members enjoyed the experience and this little self-publishing task reduced a little bit the self-publishing mystery.
This Edition was of course another huge undertaking; one stiff cover with three folded sheets, thus 12 pages for the course outline. Then using the long-reach stapler (home-studio book binding equipment), each participant bound their own book. The Edition size is a whooping 18 copies. These will be signed and numbered on the last day of the workshop this coming weekend. Okay, perhaps a bit tongue-in-cheek with a tiny presidential style over-statement.
One thing I had an opportunity to play with is the double-sided matte inkjet paper that is sold at Staples but made in Germany. They did not have any of the Epson double-side presentation matte in stock and having waited to the last moment to buy this, I had to improvise. This double sided paper is pretty decent, probably with a little more optical whitener, nevertheless printed nice. I can see where I am doing some experimental photo proofs, using this paper may be just fine versus using the Epson presentation matte as well as save a few bucks.
Biggest headache for the day was trying to get the double sided ink jet paper to feed through my Epson desktop printer/copier (Workforce WF-7620). The Staples paper weight of 170 g/m2 is only slightly heavier than the Epson’s 165 g/m2, so not sure what the deal was. I was using my Epson 4800 to print the image on the front outside cover and then the Epson desktop to print the copy. So I had to revert back to using the Epson 4800 to print the cover’s inside and outside copy, but even then the paper was a bit touchy going through the Epson printer three times. I now have a work around to run the paper through twice, so that should help when preparing for the next workshop.
I have found a couple of typos in the second edition, so I will see if this little self-published booklet evolves into a third edition. Ought to be making the 12 copies of the first edition all that more valuable!
Having developed the course outline earlier this year, then as editor/proof-reader for Eanne’s Self-publishing Guide, all of which came together when I wrote my Guide to Self-Publishing an Indie Artist Book. My Guide appears to be on target for release at Medium in San Diego at the end of this month.