Camino Capistrano, San Juan Capistrano, California, 2016 copyright Douglas Stockdale
Late last year I moved from Photoshop CS3 to the Adobe Photoshop subscription CC (aka the 2015 version). A bit of new CC changes were in the way the RAW Browes/converter looked and functioned; a few of the controls were not so obvious to obtain the same actions in CC as I had become well accustomed to in CS3 (one of those nagging reasons I usually resist software upgrades).
One of my easy & quick investments to fix this issue was acquiring a copy of Martin Evening’s “Adobe Photoshop CC for Photographers”, espcially since I was relatively happy with Evening’s CS3 version. So first thing I accomplished was how to make my CS3 workflow function with CC. And I was content for a while.
Now I am back into Evening’s book and realizing the greater functionality of the RAW converter to make even more corrections to my image prior to opening it in Photoshop. So even though I am not through reading the RAW section of his book (I am now into the fine tuning options), I wanted to check his recommended RAW workflow that might replace a bunch of what I was correcting/tweaking in Photoshop before.
I have two versions of one of my recent photographs from my In Passing – Lest I Forget project posted here. The version above is with Evening’s CC RAW workflow, and below is a version that I had developed last month with my old CS3 workflow. Even before printing these two versions I could see one big difference in the high contrast with my old CS3 workflow output, which required an adjustment layer to burn-in and try to control some of the highlights (and even then, not entirely successful). The CC image has a lower degree of contrast due to using the RAW contrast slider, which I adjusted the bulk of the data curve back towards center, reducing the overall contrast of the image. While still in RAW I adjusted the highlights and whites to control the very white and almost blown out plastic flowers on the memorial. On the CS3 image, I still have the whites of this same flower right at the edge of being blown out even after burning it in with an adjustment curve layer.
For the CC photograph as a printed image, the results appear quite nice. I like it.
So am I full convert to the new workflow; maybe. I have been making a lot of macro image adjustments with RAW before this while using CS3, so working in the RAW window is not entirely new. Nevertheless, I will work with Evening’s recommendations and after some evaluation, keep those that seem to be making life a little easier.
Now hopefully with these workflow changes I will not decide to go crazy and think that I now need to re-evaluate every RAW image I had every made. (I have done this before when I made the change from CS to CS3!)