I-15 Frontage Rd, Victorville, CA 2007 copyright Douglas Stockdale
This is my day 3 photograph as a result of being nominated by Jeff Alu to participate in a Black & White Photographic challenge (aka BWC) on FaceBook. For more background on the BWC, see my previous post, here.
Yesterday, I posted a photograph that I had made in early 2007 at a time that I felt that I was in a state of transition. At this time I was becoming aware of the concepts of contemporary landscape photography and my interests were now to investigate the natural landscape with regard to metaphoric narratives. This photograph above was made as a result of that creative transition after I expanded my investigation to include the urban landscape.
In very early 2007 I initiated my first contemporary landscape project, In Passing (B&W version) to investigate memory, in this case I began photographing the impromptu memorials created by family and friends for someone who had passed as a result of a tragic accident. Initially I was using a documentary approach to capture these memorials as examples of folk art. As the project continued, I realized that I was in fact investigating the concept of memory and how these families and friends were attempting to preserve their own memories by building these testimonials. Much later, I was to see these memorials as a possible metaphors for those individuals who have deminita or Alzheimer’s disease; physically present, but due to their fading memories, only a living shell and a living reminder of the past.
I found this memorial off the I-15 freeway, an apparent accident that had occurred on the Frontage Road. From the wording on the hand-made plaque that was in the foreground of the bouquet of artificial flower’s, I suspect that this was built by the young man’s family as the wording was by his mother. Over the months I came to understand that the cross was decorated for each season, this one for Halloween. The monument resembled someone in a Halloween costume, maybe his costume as a youth, and nestled within the artificial flowers was a trick-or-treat basket filled with candy. Extremely touching.
My attempt was to place this memorial within the larger landscape and also explored (below) an even wider perspective and narrative about this seemingly barren and poignant place.
Subsequently this image was published in LensWork magazine, issue #74, January/February 2008, one of 22 photographs as a featured portfolio. This was a pretty awesome artistic validation! I subsequently self-published a large format photobook of In Pasing thru Blurb in a small edition (about 13 copies),which is now out of print.
The B&W photographer that I nominated for day 3 is Vicki Topaz.